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Film Reviews

  • DARK DAYS WITH RAY WALTON NIGHT 6: WAIT UNTIL DARK
    12/28/2025

    DARK DAYS WITH RAY WALTON NIGHT 6: WAIT UNTIL DARK

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 5: CAST A DARK SHADOW (1955)
    12/26/2025

    DARK DAYS WITH RAY WALTON NIGHT 5: CAST A DARK SHADOW (1955)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 4: THE TWO MRS. CARROLLS (1947)
    12/25/2025

    DARK DAYS WITH RAY WALTON NIGHT 4: THE TWO MRS. CARROLLS (1947)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 3: THE BODY SNATCHER (1945)
    12/24/2025

    DARK DAYS WITH RAY WALTON NIGHT 3: THE BODY SNATCHER (1945)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 2: THE SERVANT (1963)
    12/23/2025

    DARK DAYS WITH RAY WALTON NIGHT 2: THE SERVANT (1963)

    Ray Walton
  • DARK DAYS WITH RAY WALTON – NIGHT 1: KISS ME DEADLY (1955)
    12/22/2025

    DARK DAYS WITH RAY WALTON – NIGHT 1: KISS ME DEADLY (1955)

    Ray Walton
  • SOMEONE LEFT THE CAKE OUT: KEEPER (Spoiler Review)
    11/15/2025

    SOMEONE LEFT THE CAKE OUT: KEEPER (Spoiler Review)

    Mo Moshaty
  • WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)
    10/29/2025

    WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)

    Mo Moshaty
  • THE BEST CINEMATIC UNIVERSE ISN’T AT THE MOVIES
    09/04/2025

    THE BEST CINEMATIC UNIVERSE ISN’T AT THE MOVIES

    Kellen Marshall
  • THE HORROR OF BECOMING AWAITS…
    09/03/2025

    THE HORROR OF BECOMING AWAITS…

    Mo Moshaty
  • SEE. HEAR. DESTROY.: WEAPONS (Review)
    08/08/2025

    SEE. HEAR. DESTROY.: WEAPONS (Review)

    Mo Moshaty
  • LATINX FILMMAKERS TACKLE THE LEGACY OF PAST AND PRESENT-DAY COLONIAL PARADIGMS
    07/15/2025

    LATINX FILMMAKERS TACKLE THE LEGACY OF PAST AND PRESENT-DAY COLONIAL PARADIGMS

    iandeleonarts
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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