NightTide Magazine

NightTide Magazine

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Film Reviews

  • WAY-BACK WEEKEND WATCH: THE BIG CLOCK (1948)
    05/01/2025

    WAY-BACK WEEKEND WATCH: THE BIG CLOCK (1948)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: THE BEAST FROM 20,000 FATHOMS (1953)
    04/30/2025

    WAY-BACK WEEKEND WATCH: THE BEAST FROM 20,000 FATHOMS (1953)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: DON’T BOTHER TO KNOCK (1952)
    04/29/2025

    WAY-BACK WEEKEND WATCH: DON’T BOTHER TO KNOCK (1952)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: HOMICIDAL (1961)
    04/25/2025

    WAY-BACK WEEKEND WATCH: HOMICIDAL (1961)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: WHILE THE CITY SLEEPS (1956)
    04/25/2025

    WAY-BACK WEEKEND WATCH: WHILE THE CITY SLEEPS (1956)

    Ray Walton
  • BABY, COME BACK: THE OTHER (Review)
    04/25/2025

    BABY, COME BACK: THE OTHER (Review)

    Mo Moshaty
  • WAY-BACK WEEKEND WATCH: WITCHFINDER GENERAL (1968)
    04/16/2025

    WAY-BACK WEEKEND WATCH: WITCHFINDER GENERAL (1968)

    Ray Walton
  • THE DEVIL FOLLOWS YOU HOME: SINNERS (Review)
    04/16/2025

    THE DEVIL FOLLOWS YOU HOME: SINNERS (Review)

    Mo Moshaty
  • WAY-BACK WEEKEND WATCH: THE MAN WHO KNEW TOO MUCH (1934)
    04/13/2025

    WAY-BACK WEEKEND WATCH: THE MAN WHO KNEW TOO MUCH (1934)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: THEATRE OF BLOOD (1973)
    04/06/2025

    WAY-BACK WEEKEND WATCH: THEATRE OF BLOOD (1973)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: BURNT OFFERINGS (1976)
    04/04/2025

    WAY-BACK WEEKEND WATCH: BURNT OFFERINGS (1976)

    Ray Walton
  • TIME AFTER TIME: GAZER 2025 (Review)
    03/31/2025

    TIME AFTER TIME: GAZER 2025 (Review)

    Mo Moshaty
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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