NightTide Magazine

NightTide Magazine

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Monthly Macabre

  • THE GROUND BENEATH US: INHERITED FEAR IN JANG JAE-HYUN’S ‘EXHUMA’ (2024)
    11/30/2025

    THE GROUND BENEATH US: INHERITED FEAR IN JANG JAE-HYUN’S ‘EXHUMA’ (2024)

    vsixsmithf0e09031f9
  • THE FAMILY WOUND THROUGH THE LENS OF ‘FRANKENSTEIN’ (2025)
    11/30/2025

    THE FAMILY WOUND THROUGH THE LENS OF ‘FRANKENSTEIN’ (2025)

    Avery’s Crypt
  • MICHAEL MYERS IS HAUNTING MY FAMILY, BUT HE NEVER MISSES CHRISTMAS
    11/30/2025

    MICHAEL MYERS IS HAUNTING MY FAMILY, BUT HE NEVER MISSES CHRISTMAS

    Victoria Hood
  • THEY’RE HERE: HAUNTING, INHERITANCE, AND THE FRAGILE AMERICAN FAMILY IN ‘POLTERGEIST’
    11/28/2025

    THEY’RE HERE: HAUNTING, INHERITANCE, AND THE FRAGILE AMERICAN FAMILY IN ‘POLTERGEIST’

    Mo Moshaty
  • SO MUCH BLOOD IN THIS EARTH: GENERATIONAL TRAUMA IN SOUTHERN GOTHIC
    11/28/2025

    SO MUCH BLOOD IN THIS EARTH: GENERATIONAL TRAUMA IN SOUTHERN GOTHIC

    elizabbent
  • FINDING MY OWN SPACE IN THE LIMINAL DIMENSION OF DEMENTIA AS A WOMAN WHO IS…AGING!
    11/28/2025

    FINDING MY OWN SPACE IN THE LIMINAL DIMENSION OF DEMENTIA AS A WOMAN WHO IS…AGING!

    Jessica Rose
  • ‘FANCY A BITE, MY APPETITE’: CANNIBAL WOMEN AND THEIR APPETITES
    10/31/2025

    ‘FANCY A BITE, MY APPETITE’: CANNIBAL WOMEN AND THEIR APPETITES

    Monstrous Meg
  • WE ARE WHAT’S LEFT: FAMILIAL HUNGER AND THE WEIGHT OF INHEREITANCE IN SOMOS LO QUE HAY
    10/31/2025

    WE ARE WHAT’S LEFT: FAMILIAL HUNGER AND THE WEIGHT OF INHEREITANCE IN SOMOS LO QUE HAY

    Mo Moshaty
  • C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)
    10/31/2025

    C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)

    jillvranken
  • LOVE AT FIRST BITE: CANNIBALISM AND ROMANCE
    10/31/2025

    LOVE AT FIRST BITE: CANNIBALISM AND ROMANCE

    Sarah Anne Stubbs
  • THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)
    10/31/2025

    THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)

    Elijah Fischer
  • THE DEAD GIRL WHO REFUSES TO DIE: HOW TOMIE HOLDS A MIRROR TO SYSTEMIC VIOLENCE TOWARDS WOMEN
    09/03/2025

    THE DEAD GIRL WHO REFUSES TO DIE: HOW TOMIE HOLDS A MIRROR TO SYSTEMIC VIOLENCE TOWARDS WOMEN

    Tori Potenza
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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