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Morbid Minds

  • THE MONSTER DECODED: HOW THE QUEER IDENTITY IN HORROR EVOLVED FROM CENSORSHIP AND SOCIETAL FEARS OF THE MALLEABILITY OF GENDER – PART 1:  THE INVISIBLE QUEER
    02/18/2025

    THE MONSTER DECODED: HOW THE QUEER IDENTITY IN HORROR EVOLVED FROM CENSORSHIP AND SOCIETAL FEARS OF THE MALLEABILITY OF GENDER – PART 1: THE INVISIBLE QUEER

    Monica Ferrall
  • THE MEETING OF THE MORBID MINDS COMMENCES
    02/16/2025

    THE MEETING OF THE MORBID MINDS COMMENCES

    Mo Moshaty
  • THE BABADOOK AND THE HAUNTING MONSTER OF GRIEF
    02/14/2025

    THE BABADOOK AND THE HAUNTING MONSTER OF GRIEF

    tkutlu88
  • THE PAST IS NEVER DEAD: SOUTHERN GOTHIC AND CHILD ABUSE
    02/05/2025

    THE PAST IS NEVER DEAD: SOUTHERN GOTHIC AND CHILD ABUSE

    elizabbent
  • CARRIE WHITE AND ALL OF OUR MONSTERS
    01/31/2025

    CARRIE WHITE AND ALL OF OUR MONSTERS

    Cynthia Gómez
  • SHATTERED HEARTS: MY BLOODY VALENTINE AS SUBVERSIVE 80S TEEN CLASS-CLASH ROMANCE 
    01/24/2025

    SHATTERED HEARTS: MY BLOODY VALENTINE AS SUBVERSIVE 80S TEEN CLASS-CLASH ROMANCE 

    daynanoffke
  • AXES, CLEAVERS AND BADGES: PORTRAYALS OF THE POLICE IN SLASHER FILMS
    01/24/2025

    AXES, CLEAVERS AND BADGES: PORTRAYALS OF THE POLICE IN SLASHER FILMS

    Cullen Wade
  • DING-DONG, THE WITCH IS DEAD: DID “WICKED” KILL A HORROR ICON?
    01/13/2025

    DING-DONG, THE WITCH IS DEAD: DID “WICKED” KILL A HORROR ICON?

    Dan Roberts
  • IRONIC INSANITY AND UNFAMILIAR GEOMETRICS IN TOBE HOOPER’S “APARTMENT TRILOGY”
    01/13/2025

    IRONIC INSANITY AND UNFAMILIAR GEOMETRICS IN TOBE HOOPER’S “APARTMENT TRILOGY”

    Cullen Wade
  • *WITCHCRAFT, SUICIDE, VIOLENCE: HORROR AND TABLE TOP ROLEPLAYING
    01/04/2025

    *WITCHCRAFT, SUICIDE, VIOLENCE: HORROR AND TABLE TOP ROLEPLAYING

    Siân Pearce
  • BENEATH THE ICE: EXPLORING THE QALLUPILUK
    12/29/2024

    BENEATH THE ICE: EXPLORING THE QALLUPILUK

    CollierJarvis
  • WINTER OF OUR DISCONTENT: COLD AND ISOLATION IN CRONENBERG’S THE BROOD
    12/13/2024

    WINTER OF OUR DISCONTENT: COLD AND ISOLATION IN CRONENBERG’S THE BROOD

    Emma Cole
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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