NightTide Magazine

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  • YOU CAN NEVER GO HOME AGAIN: CELEBRATING “FROM”
    03/21/2025

    YOU CAN NEVER GO HOME AGAIN: CELEBRATING “FROM”

    leticiasu
  • TRANSFORMATION AND MOTHERHOOD IN ROSEMARY’S BABY AND THE OMEN
    03/21/2025

    TRANSFORMATION AND MOTHERHOOD IN ROSEMARY’S BABY AND THE OMEN

    Emma Cole
  • WAY-BACK WEEKEND WATCH: TWICE-TOLD TALES (1963)
    03/19/2025

    WAY-BACK WEEKEND WATCH: TWICE-TOLD TALES (1963)

    Ray Walton
  • LOSING STREAK: 13 OF HORROR’S MOST UNLUCKY CHARACTERS
    03/17/2025

    LOSING STREAK: 13 OF HORROR’S MOST UNLUCKY CHARACTERS

    Mo Moshaty
  • PARASOCIAL GONE LOCO: 5 STALKER/FAN-BASED HORRORS OF THE 80S & 90S
    03/12/2025

    PARASOCIAL GONE LOCO: 5 STALKER/FAN-BASED HORRORS OF THE 80S & 90S

    Mo Moshaty
  • WAY-BACK WEEKEND WATCH: SCARLET STREET (1945)
    03/05/2025

    WAY-BACK WEEKEND WATCH: SCARLET STREET (1945)

    Ray Walton
  • THE COMPANY OF WOLVES: THE ULTIMATE GOTHIC FAIRYTALE
    02/28/2025

    THE COMPANY OF WOLVES: THE ULTIMATE GOTHIC FAIRYTALE

    Caroline Miller
  • CHALLENGING AND REINFORCING STEREOTYPES: BLACK MALE REPRESENTATION IN NIGHT OF THE DEMONS
    02/27/2025

    CHALLENGING AND REINFORCING STEREOTYPES: BLACK MALE REPRESENTATION IN NIGHT OF THE DEMONS

    kaleer
  • SOMETIMES THE BLACK GUY LIVES: THE PEOPLE UNDER THE STAIRS
    02/27/2025

    SOMETIMES THE BLACK GUY LIVES: THE PEOPLE UNDER THE STAIRS

    NightTide Magazine
  • THE SINS OF THE FAMILY – A HORROR CLASSIC: EVE’S BAYOU
    02/27/2025

    THE SINS OF THE FAMILY – A HORROR CLASSIC: EVE’S BAYOU

    audrienacomeaux
  • ADAPTING THE MASTER’S TOOLS TO DISMANTLE THE MASTER’S HOUSE
    02/27/2025

    ADAPTING THE MASTER’S TOOLS TO DISMANTLE THE MASTER’S HOUSE

    rjjoseph
  • WHAT WE ‘GON DO IS GO BACK… WAY BACK…
    02/27/2025

    WHAT WE ‘GON DO IS GO BACK… WAY BACK…

    L. Marie Wood
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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