NightTide Magazine

NightTide Magazine

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Cannibal Horror

  • ‘FANCY A BITE, MY APPETITE’: CANNIBAL WOMEN AND THEIR APPETITES
    10/31/2025

    ‘FANCY A BITE, MY APPETITE’: CANNIBAL WOMEN AND THEIR APPETITES

    Monstrous Meg
  • WE ARE WHAT’S LEFT: FAMILIAL HUNGER AND THE WEIGHT OF INHEREITANCE IN SOMOS LO QUE HAY
    10/31/2025

    WE ARE WHAT’S LEFT: FAMILIAL HUNGER AND THE WEIGHT OF INHEREITANCE IN SOMOS LO QUE HAY

    Mo Moshaty
  • C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)
    10/31/2025

    C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)

    jillvranken
  • LOVE AT FIRST BITE: CANNIBALISM AND ROMANCE
    10/31/2025

    LOVE AT FIRST BITE: CANNIBALISM AND ROMANCE

    Sarah Anne Stubbs
  • THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)
    10/31/2025

    THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)

    Elijah Fischer

NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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