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  • C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)
    10/31/2025

    C’EST GRAVE: A NEURODIVERGENT REFLECTION ON JULIA DUCOURNAU’S ‘RAW’ (2016)

    jillvranken
  • THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)
    10/31/2025

    THE COLONIAL POLITICS OF NUDITY IN RUGGERO DEODATO’S LAST CANNIBAL WORLD (1977)

    Elijah Fischer
  • WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)
    10/29/2025

    WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)

    Mo Moshaty
  • A HOLY GLOW TURNED BLOOD RED: ‘BLOOD SHINE’ (Brooklyn Horror Film Fest Review)
    10/29/2025

    A HOLY GLOW TURNED BLOOD RED: ‘BLOOD SHINE’ (Brooklyn Horror Film Fest Review)

    Michele Schultz
  • A HARROWING MEMORY LOOP: ‘AFFECTION’ (Brooklyn Horror Film Fest Review)
    10/23/2025

    A HARROWING MEMORY LOOP: ‘AFFECTION’ (Brooklyn Horror Film Fest Review)

    Michele Schultz
  • AUTHOR SPOTLIGHT: KRISTINA TEN
    09/26/2025

    AUTHOR SPOTLIGHT: KRISTINA TEN

    Mo Moshaty
  • PLEASE DON’T FEED THE ANIMALS: ‘COYOTES’ FANTASTIC FEST REVIEW
    09/23/2025

    PLEASE DON’T FEED THE ANIMALS: ‘COYOTES’ FANTASTIC FEST REVIEW

    Mo Moshaty
  • WHO RAISED YOU? ‘A WOMAN CALLED MOTHER’: FANTASTIC FEST REVIEW
    09/23/2025

    WHO RAISED YOU? ‘A WOMAN CALLED MOTHER’: FANTASTIC FEST REVIEW

    Mo Moshaty
  • EXORCISING ERASURE: LATINXORCISTS BRING HOROR BACK TO ITS ROOTS!
    09/16/2025

    EXORCISING ERASURE: LATINXORCISTS BRING HOROR BACK TO ITS ROOTS!

    Alexandra Dos Santos
  • THE HORROR OF BECOMING AWAITS…
    09/03/2025

    THE HORROR OF BECOMING AWAITS…

    Mo Moshaty
  • THE MIRROR HAS TWO FACES: Frankenstein (2025) (Venice Review)
    08/30/2025

    THE MIRROR HAS TWO FACES: Frankenstein (2025) (Venice Review)

    Mo Moshaty
  • DANGEROUS WOMEN: NIGHTTIDE SITS DOWN WITH AUTHOR PAYTON MCCARTY-SIMAS ON THEIR NEW RELEASE – “THAT VERY WITCH: FEAR, FEMINISM AND THE AMERICAN WITCH FILM”
    08/19/2025

    DANGEROUS WOMEN: NIGHTTIDE SITS DOWN WITH AUTHOR PAYTON MCCARTY-SIMAS ON THEIR NEW RELEASE – “THAT VERY WITCH: FEAR, FEMINISM AND THE AMERICAN WITCH FILM”

    Mo Moshaty
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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