Blue Finch Releasing stands at the forefront of modern film distribution, celebrated for its passion, innovation, and exceptional ability to connect audiences with extraordinary stories. Specializing in feature films and documentaries, Blue Finch operates across the UK, Ireland, and international markets, seamlessly blending commercial appeal with artistic excellence. Founded by a team of seasoned film executives with deep expertise in sales and distribution, the company is a powerhouse in crafting bespoke release strategies—whether it’s curating a precision-driven digital campaign or orchestrating a nationwide theatrical rollout that captivates audiences.

What sets Blue Finch apart is its unwavering commitment to championing diverse voices and fresh perspectives, particularly in the horror genre. Their portfolio features thought-provoking and spine-tingling films that push boundaries and redefine storytelling conventions. By combining their industry expertise with a knack for identifying bold, compelling narratives, Blue Finch has solidified its reputation as a tastemaker, elevating both critically acclaimed masterpieces and crowd-pleasers alike. With every release, Blue Finch Releasing doesn’t just distribute films—they create cinematic experiences that resonate long after the credits roll.

Let’s take a look back at some of our favorites over the last few years:

Written and directed by Paris Zarcilla, is an incredible mix of gothic horror and social realism that really hits home. It follows Joy, an undocumented Filipino caregiver played by Max Eigenmann, as she takes on a job looking after a dying man in the United Kingdom. What starts as a way to survive quickly unravels into something far darker, with secrets that threaten both her and her daughter. The film doesn’t just scare you—it digs deep into the dual realities caregivers face. They’re often dismissed as uneducated or treated like outsiders by xenophobic employers, yet those same employers rely on them to raise their kids and manage their homes. Zarcilla uses this dynamic to deliver a sharp critique of systemic exploitation, wrapped in a story that’s both deeply unsettling and brilliantly told.

Writer/Director Teresa Sutherland’s haunting directorial debut is a standout. Starring Georgina Campbell as Lennon, a backcountry ranger investigating eerie disappearances in a national park, the film uses its atmospheric tension to explore the weight of trauma. Lennon’s search isn’t just about solving a mystery—it’s a journey into her own haunted past, where childhood tragedy refuses to stay buried. Sutherland doesn’t shy away from the psychological impact of grief and isolation, weaving those themes into a narrative that feels both deeply personal and universally unsettling. The result is a film that’s as much about survival as it is about the darkness we carry with us, all wrapped in a story that keeps you on edge from start to finish.

Writer/Director Damian McCarthy takes us on an incredible rollercoaster of trauma, anxiety, murder and the relentless pursuit of answers. The film centers on Dani Timmins, a psychic medium played by Carolyn Bracken, who becomes obsessed with uncovering the truth behind her sister’s brutal murder. The loss of a sibling is a pain that doesn’t let go, and McCarthy beautifully captures the emotional toll that this kind of trauma takes—Dani’s search isn’t just for a killer, but for a way to make sense of the senseless. Her obsession with solving the mystery of her sister’s death drives her into increasingly dark and unsettling territory, and the film masterfully reflects that non-stop, haunting journey of seeking closure in the face of overwhelming loss. The supernatural elements only heighten the tension, creating a psychological labyrinth that mirrors Dani’s own descent into the unknown.

Writing and Directing team Jack Clark and Jim Weir pull psychological trauma and abuse to it’s peak with this sociology and romance experiment gone bad. Birdeater delves into the complex emotions of a bride-to-be grappling with the trauma of not wanting to lose her fiancé while struggling to gain her own independence. Set against the backdrop of a bachelor party gone awry, the film masterfully juxtaposes the Irene’s (Shabana Azeez) internal conflict with the external forces of manipulation and betrayal that unravel her relationship with Louie (Mackenzie Fearnley) As uncomfortable truths about the couple’s dynamic surface, the tension between love, manipulation, and the breakdown of friendship becomes palpable. Birdeater explores the unsettling nature of holding on to someone out of fear of loss, while also trying to break free from unhealthy attachments, ultimately leading to a powerful and chilling commentary on control and independence.

**See our interview with the cast and crew from SXSW 2024 here!

Writer/Director Joseph Sims-Dennett, gives us a slow-burn psychological horror. The story follows Grace (Meg Clarke), who returns to her hometown after her father’s death, only to find her brother missing and the eerie isolation of the wilderness closing in on her. As she navigates her surroundings, an unsettling sense of dread creeps through the film, amplified by the presence of another hiker who communicates with her via radio, though his true motives remain unclear. The film’s strength lies in its ability to sustain a constant undercurrent of tension, making every moment feel heavy with uncertainty. The constant feeling of being lost—both physically and emotionally—is palpable, and as Grace’s isolation intensifies, so does the anxiety, keeping the audience on edge. With an atmosphere that feels both claustrophobic and vast, Baal explores the terror of being alone, questioning who to trust, and the fear of being completely cut off from any sense of safety.

From writer/director Viljar Bøe, comes a harrowing psychological thriller that dives deep into the unsettling world of Body Integrity Dysphoria (BID), a condition where individuals feel that a part of their body—often a limb—does not belong to them. The film follows Amir (played by Freddy Singh), a man consumed by the belief that his left leg is alien to his body, driving him to the brink of a drastic decision: amputation. This disturbing quest for redemption and self-alignment forms the core of the narrative, as Amir’s psychological trauma spirals into obsession. The film is a chilling exploration of how a disconnection between mind and body can lead to profound mental anguish. Above the Knee doesn’t just portray the grotesque elements of body horror; it paints a deeply tragic picture of the isolation and desperation that accompany BID, where the desire to remove a “dead” limb is less about physical pain and more about psychological survival. The anxiety and tension are palpable, as Amir’s fixation leads him down a dark path, not just for himself, but for those around him, creating a truly visceral experience for the audience.

Directed by Yusron Fuadi and written alongside Richard James Halstead and B.W. Purba Negara, The Draft! is a thrilling rollercoaster of supernatural terror and dark humor. We follow five unassuming college students who, while staying at an old villa for the weekend, uncover a terrifying secret from the past. What sets this film apart is the incredible twist that hits halfway through, completely upending the narrative and adding a layer of unpredictability that makes the horror even more intense. The film brilliantly balances levity with scares, thanks to a cast of characters whose personalities inject humor and charm into an otherwise eerie atmosphere. Their dynamic creates an engaging blend of tension and fun, where the audience is never sure if they’re about to laugh or scream. The horror genre is turned on its head in Setan Alas!, making it a standout with its audacious storytelling and a fearless embrace of both fear and fun.

Two films making the festival circuits between this year and the next are Steppenwolf (2024) and 825 Forest Road (2024)

Steppenwolf: Tamara searches for her missing son in a violent town. She hires a morally questionable ex-detective to find him. His methods are cruel but she is determined to find her son whatever the cost.

825 Forest Road: After a family tragedy, Chuck Wilson hopes to start a new life in Ashland Falls with his wife Maria and little sister Isabelle, but he quickly discovers that the town has a dark secret.

Blue Finch Films is renowned for its steadfast commitment to global diversity in film, championing a wide range of voices and perspectives from around the world. The company focuses on promoting films that highlight underrepresented narratives, particularly in the horror genre, and works to ensure these diverse stories reach audiences across the UK, Ireland, and international markets. By prioritizing films that explore cultural, social, and personal experiences from a global standpoint, Blue Finch not only enriches the cinematic landscape but also fosters greater inclusivity within the industry. Their diverse portfolio continues to redefine storytelling by elevating films that challenge conventions and offer fresh, thought-provoking perspectives.