NightTide Magazine

NightTide Magazine

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  • HEARTBREAK HOTEL: HOKUM (2026) (OVERLOOK FILM FESTIVAL REVIEW)
    04/20/2026

    HEARTBREAK HOTEL: HOKUM (2026) (OVERLOOK FILM FESTIVAL REVIEW)

    Mo Moshaty
  • STAY WITH ME: LEVITICUS (2026) (OVERLOOK FILM FESTIVAL REVIEW)
    04/20/2026

    STAY WITH ME: LEVITICUS (2026) (OVERLOOK FILM FESTIVAL REVIEW)

    Mo Moshaty
  • LOVE ME TENDER: OBSESSION (2026) (OVERLOOK FILM FESTIVAL REVIEW)
    04/10/2026

    LOVE ME TENDER: OBSESSION (2026) (OVERLOOK FILM FESTIVAL REVIEW)

    Mo Moshaty
  • FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER
    01/19/2026

    FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER

    Sharai Bohannon
  • DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)
    01/11/2026

    DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)
    01/10/2026

    DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)
    01/09/2026

    DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 18: THE WAR OF THE WORLDS (1953)
    01/08/2026

    DARK DAYS WITH RAY WALTON NIGHT 18: THE WAR OF THE WORLDS (1953)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)
    01/07/2026

    DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 16: THEM! (1954)
    01/06/2026

    DARK DAYS WITH RAY WALTON NIGHT 16: THEM! (1954)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 15: THE BLOB (1958)
    01/05/2026

    DARK DAYS WITH RAY WALTON NIGHT 15: THE BLOB (1958)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 14: THE MUMMY (1959)
    01/04/2026

    DARK DAYS WITH RAY WALTON NIGHT 14: THE MUMMY (1959)

    Ray Walton
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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