NightTide Magazine

NightTide Magazine

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Film Reviews

  • SOMEONE LEFT THE CAKE OUT: KEEPER (Spoiler Review)
    11/15/2025

    SOMEONE LEFT THE CAKE OUT: KEEPER (Spoiler Review)

    Mo Moshaty
  • WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)
    10/29/2025

    WHEN THE FORMAT SHIFTS: ‘SHELBY OAKS’ (Review)

    Mo Moshaty
  • THE BEST CINEMATIC UNIVERSE ISN’T AT THE MOVIES
    09/04/2025

    THE BEST CINEMATIC UNIVERSE ISN’T AT THE MOVIES

    Kellen Marshall
  • THE HORROR OF BECOMING AWAITS…
    09/03/2025

    THE HORROR OF BECOMING AWAITS…

    Mo Moshaty
  • SEE. HEAR. DESTROY.: WEAPONS (Review)
    08/08/2025

    SEE. HEAR. DESTROY.: WEAPONS (Review)

    Mo Moshaty
  • LATINX FILMMAKERS TACKLE THE LEGACY OF PAST AND PRESENT-DAY COLONIAL PARADIGMS
    07/15/2025

    LATINX FILMMAKERS TACKLE THE LEGACY OF PAST AND PRESENT-DAY COLONIAL PARADIGMS

    iandeleonarts
  • BEAUTIFUL BUT BEWILDERING: CONSECRATION (Review)
    06/09/2025

    BEAUTIFUL BUT BEWILDERING: CONSECRATION (Review)

    Charlotte Armstrong
  • APEX PREDATOR SEEKS LONELY TRAVELER: DANGEROUS ANIMALS (Review)
    06/02/2025

    APEX PREDATOR SEEKS LONELY TRAVELER: DANGEROUS ANIMALS (Review)

    Mo Moshaty
  • BURNED IN MY MEMORY: BRING HER BACK (Spoiler-Free Review)
    05/29/2025

    BURNED IN MY MEMORY: BRING HER BACK (Spoiler-Free Review)

    Sarah Anne Stubbs
  • WAY-BACK WEEKEND WATCH: THE CURSE OF FRANKENSTEIN (1957)
    05/23/2025

    WAY-BACK WEEKEND WATCH: THE CURSE OF FRANKENSTEIN (1957)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: CREEPSHOW (1982)
    05/23/2025

    WAY-BACK WEEKEND WATCH: CREEPSHOW (1982)

    Ray Walton
  • ROOTED IN SPIRIT – THE POWER OF ABORIGINAL FAITH: THE NEW BOY (Review)
    05/20/2025

    ROOTED IN SPIRIT – THE POWER OF ABORIGINAL FAITH: THE NEW BOY (Review)

    Victoria Hood
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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