NightTide Magazine

NightTide Magazine

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Horror News

  • WARNER BROS. WANTS A WEAPONS PREQUEL: THIS IS WHY WE CAN’T HAVE NICE THINGS
    08/15/2025

    WARNER BROS. WANTS A WEAPONS PREQUEL: THIS IS WHY WE CAN’T HAVE NICE THINGS

    Dan Roberts
  • HORROR INFLUENCER LAUNCHES TOUR OF ONE-WOMAN SHOW ‘BOG BODY’ AT CAMDEN FRINGE
    07/28/2025

    HORROR INFLUENCER LAUNCHES TOUR OF ONE-WOMAN SHOW ‘BOG BODY’ AT CAMDEN FRINGE

    NightTide Magazine
  • SOHOME HORROR PRIDE STRIKES IN JUNE!
    05/09/2025

    SOHOME HORROR PRIDE STRIKES IN JUNE!

    Mo Moshaty
  • QUEER ABSURDIST HORROR ‘POSSUM’ HEADS TO SLAMDANCE
    02/20/2025

    QUEER ABSURDIST HORROR ‘POSSUM’ HEADS TO SLAMDANCE

    Mo Moshaty
  • SXSW 2025 IS ALL ABOUT SPACE, ADAPTATIONS AND INSTABILITY
    01/23/2025

    SXSW 2025 IS ALL ABOUT SPACE, ADAPTATIONS AND INSTABILITY

    Mo Moshaty
  • NIGHTTIDE’S 5 IN ’25: THE HOTTEST HORROR COMING OUR WAY
    12/19/2024

    NIGHTTIDE’S 5 IN ’25: THE HOTTEST HORROR COMING OUR WAY

    Mo Moshaty
  • OBSESSION AND POWER COLLIDE: NOSFERATU (2024): (Review)
    12/14/2024

    OBSESSION AND POWER COLLIDE: NOSFERATU (2024): (Review)

    Mo Moshaty
  • UNVEILING THE FORGOTTEN WOMEN OF HORROR: Monster, She Wrote Exhibit to show at Ontario’s Leacock Museum
    10/03/2024

    UNVEILING THE FORGOTTEN WOMEN OF HORROR: Monster, She Wrote Exhibit to show at Ontario’s Leacock Museum

    Mo Moshaty
  • THE GOOD SIDE OF FEAR: THE RECREATIONAL FEAR LAB SITS DOWN WITH NIGHTTIDE
    10/01/2024

    THE GOOD SIDE OF FEAR: THE RECREATIONAL FEAR LAB SITS DOWN WITH NIGHTTIDE

    Mo Moshaty
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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