NightTide Magazine

NightTide Magazine

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Morbid Minds

  • HOLDING THE THRESHOLD: AFTERLIFE AND REFUSAL TO LET THE DEAD REMAIN DEAD IN ‘TALK TO ME’
    02/16/2026

    HOLDING THE THRESHOLD: AFTERLIFE AND REFUSAL TO LET THE DEAD REMAIN DEAD IN ‘TALK TO ME’

    tkutlu88
  • MARLENE CLARK: THE BLACK HORROR ICON THAT DESERVED SO MUCH MORE
    02/12/2026

    MARLENE CLARK: THE BLACK HORROR ICON THAT DESERVED SO MUCH MORE

    Sharai Bohnnon
  • HOME INVASION BY INVITATION
    02/10/2026

    HOME INVASION BY INVITATION

    Mo Moshaty
  • ON MAKING HORROR WHILE THE MIND IS ON FIRE
    02/10/2026

    ON MAKING HORROR WHILE THE MIND IS ON FIRE

    Mo Moshaty
  • THE IMPORTANCE OF ‘BLACULA’
    02/05/2026

    THE IMPORTANCE OF ‘BLACULA’

    L. Marie Wood
  • SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT
    02/02/2026

    SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT

    Mo Moshaty
  • AFTER HORROR: HAUNTED BY WHAT’S STILL HERE
    01/13/2026

    AFTER HORROR: HAUNTED BY WHAT’S STILL HERE

    Mo Moshaty
  • DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)
    01/11/2026

    DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)
    01/10/2026

    DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)
    01/09/2026

    DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 18: THE WAR OF THE WORLDS (1953)
    01/08/2026

    DARK DAYS WITH RAY WALTON NIGHT 18: THE WAR OF THE WORLDS (1953)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)
    01/07/2026

    DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)

    Ray Walton
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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