NightTide Magazine

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  • WAY-BACK WEEKEND WATCH: WHILE THE CITY SLEEPS (1956)
    04/25/2025

    WAY-BACK WEEKEND WATCH: WHILE THE CITY SLEEPS (1956)

    Ray Walton
  • SUNSHINE HORROR: BRINGING HORROR INTO THE LIGHT OF DAY
    04/23/2025

    SUNSHINE HORROR: BRINGING HORROR INTO THE LIGHT OF DAY

    P W Yammityville
  • WAY-BACK WEEKEND WATCH: WITCHFINDER GENERAL (1968)
    04/16/2025

    WAY-BACK WEEKEND WATCH: WITCHFINDER GENERAL (1968)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: THE MAN WHO KNEW TOO MUCH (1934)
    04/13/2025

    WAY-BACK WEEKEND WATCH: THE MAN WHO KNEW TOO MUCH (1934)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: THEATRE OF BLOOD (1973)
    04/06/2025

    WAY-BACK WEEKEND WATCH: THEATRE OF BLOOD (1973)

    Ray Walton
  • WAY-BACK WEEKEND WATCH: BURNT OFFERINGS (1976)
    04/04/2025

    WAY-BACK WEEKEND WATCH: BURNT OFFERINGS (1976)

    Ray Walton
  • “GRIEF FEEDS IT”: HOW THE BOOGEYMAN (2023) TURNS SORROW INTO TERROR
    04/04/2025

    “GRIEF FEEDS IT”: HOW THE BOOGEYMAN (2023) TURNS SORROW INTO TERROR

    tkutlu88
  • DIE AT MUFFY’S: A LOOK AT APRIL FOOL’S DAY 39 YEARS LATER
    03/31/2025

    DIE AT MUFFY’S: A LOOK AT APRIL FOOL’S DAY 39 YEARS LATER

    Mo Moshaty
  • CREATURE OF THE NIGHT: RE-EXAMINING THE WEREWOLF THROUGH A QUEER LENS
    03/28/2025

    CREATURE OF THE NIGHT: RE-EXAMINING THE WEREWOLF THROUGH A QUEER LENS

    Elijah Fischer
  • CREATURES FROM THE KITCHEN: GASTRO CREATURE FEATURES
    03/28/2025

    CREATURES FROM THE KITCHEN: GASTRO CREATURE FEATURES

    Sarah Anne Stubbs
  • WAY-BACK WEEKEND WATCH: THE BEGUILED (1971)
    03/28/2025

    WAY-BACK WEEKEND WATCH: THE BEGUILED (1971)

    Ray Walton
  • THE LOST WORLD AT 100: IN DEFENSE OF PRESENTISM
    03/28/2025

    THE LOST WORLD AT 100: IN DEFENSE OF PRESENTISM

    Cullen Wade
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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