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  • ROOTED IN SPIRIT – THE POWER OF ABORIGINAL FAITH: THE NEW BOY (Review)
    05/20/2025

    ROOTED IN SPIRIT – THE POWER OF ABORIGINAL FAITH: THE NEW BOY (Review)

    Victoria Hood
  • DEATH KEEPS RECIEPTS: FINAL DESTINATION: BLOODLINES (Review)
    05/13/2025

    DEATH KEEPS RECIEPTS: FINAL DESTINATION: BLOODLINES (Review)

    Mo Moshaty
  • A KINGDOM FOR A FACE: THE VIOLENCE OF BEAUTY IN ‘THE UGLY STEPSISTER’
    05/05/2025

    A KINGDOM FOR A FACE: THE VIOLENCE OF BEAUTY IN ‘THE UGLY STEPSISTER’

    Mo Moshaty
  • BETWEEN THE PINES AND PANIC: INSIDE CRYSTAL CONNOR’S IMMERSIVE HORROR EXPERIENCE
    04/22/2025

    BETWEEN THE PINES AND PANIC: INSIDE CRYSTAL CONNOR’S IMMERSIVE HORROR EXPERIENCE

    Mo Moshaty
  • TIME AFTER TIME: GAZER 2025 (Review)
    03/31/2025

    TIME AFTER TIME: GAZER 2025 (Review)

    Mo Moshaty
  • CREATURE OF THE NIGHT: RE-EXAMINING THE WEREWOLF THROUGH A QUEER LENS
    03/28/2025

    CREATURE OF THE NIGHT: RE-EXAMINING THE WEREWOLF THROUGH A QUEER LENS

    Elijah Fischer
  • SOMEONE TO WATCH OVER ME: THE WOMAN IN THE YARD (Review)
    03/28/2025

    SOMEONE TO WATCH OVER ME: THE WOMAN IN THE YARD (Review)

    Mo Moshaty
  • WAY-BACK WEEKEND WATCH: CURSE OF THE DEMON (1957)
    03/21/2025

    WAY-BACK WEEKEND WATCH: CURSE OF THE DEMON (1957)

    Ray Walton
  • TRANSFORMATION AND MOTHERHOOD IN ROSEMARY’S BABY AND THE OMEN
    03/21/2025

    TRANSFORMATION AND MOTHERHOOD IN ROSEMARY’S BABY AND THE OMEN

    Emma Cole
  • THE COMPANY OF WOLVES: THE ULTIMATE GOTHIC FAIRYTALE
    02/28/2025

    THE COMPANY OF WOLVES: THE ULTIMATE GOTHIC FAIRYTALE

    Caroline Miller
  • MADE YOU LOOK: HORRORS THAT PULLED THE BAIT AND SWITCH – PART 2
    02/26/2025

    MADE YOU LOOK: HORRORS THAT PULLED THE BAIT AND SWITCH – PART 2

    Mo Moshaty
  • THE MONSTER DECODED:  How the Queer Identity in Horror Evolved from Censorship and Societal Fears of the Malleability of Gender Pt II: The Villainous Queer
    02/24/2025

    THE MONSTER DECODED: How the Queer Identity in Horror Evolved from Censorship and Societal Fears of the Malleability of Gender Pt II: The Villainous Queer

    Monica Ferrall
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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