NightTide Magazine

NightTide Magazine

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Fright Fest

  • Love Hurts: STRANGE DARLING wraps Fright Fest (and the world) around it’s finger.
    08/30/2024

    Love Hurts: STRANGE DARLING wraps Fright Fest (and the world) around it’s finger.

    Mo Moshaty
  • The Kids Are(n’t) Alright: TEST SCREENING (Fright Fest)
    08/30/2024

    The Kids Are(n’t) Alright: TEST SCREENING (Fright Fest)

    Mo Moshaty
  • Trauma and Transformation: NightTide sits down with Parker Brennon, Writer/Director of HAUNTOLOGY
    08/24/2024

    Trauma and Transformation: NightTide sits down with Parker Brennon, Writer/Director of HAUNTOLOGY

    Mo Moshaty
  • This Little Life: BROKEN BIRD (Fright Fest)
    08/23/2024

    This Little Life: BROKEN BIRD (Fright Fest)

    Mo Moshaty
  • “I had to allow myself to be vulnerable.”: Parker Brennon’s HAUNTOLOGY heads to Fright Fest.
    08/22/2024

    “I had to allow myself to be vulnerable.”: Parker Brennon’s HAUNTOLOGY heads to Fright Fest.

    Mo Moshaty
  • Love Through Death: NightTide sits down with Rebecca Calder of BROKEN BIRD
    08/21/2024

    Love Through Death: NightTide sits down with Rebecca Calder of BROKEN BIRD

    Mo Moshaty
  • The Weird Wide Web and It’s Hostile Lens: The team behind GHOST GAME sits down with NightTide
    08/19/2024

    The Weird Wide Web and It’s Hostile Lens: The team behind GHOST GAME sits down with NightTide

    Mo Moshaty
  • Fall Break-In: 40 Years After “The Mutilator”, We Still Have So Many Questions.
    08/07/2024

    Fall Break-In: 40 Years After “The Mutilator”, We Still Have So Many Questions.

    Mo Moshaty

NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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