NightTide Magazine

NightTide Magazine

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horror

  • PLOT AND TENSION IN CANDACE NOLA’S ‘HANK FLYNN: THE RETURN’
    02/19/2026

    PLOT AND TENSION IN CANDACE NOLA’S ‘HANK FLYNN: THE RETURN’

    elizabbent
  • ON MAKING HORROR WHILE THE MIND IS ON FIRE
    02/10/2026

    ON MAKING HORROR WHILE THE MIND IS ON FIRE

    Mo Moshaty
  • AUTHOR SPOTLIGHT: G.G. SILVERMAN
    02/04/2026

    AUTHOR SPOTLIGHT: G.G. SILVERMAN

    Mo Moshaty
  • 28 MOVIES TO WATCH THIS BLACK HISTORY MONTH
    02/03/2026

    28 MOVIES TO WATCH THIS BLACK HISTORY MONTH

    Sharai Bohnnon
  • SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT
    02/02/2026

    SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT

    Mo Moshaty
  • UK & IRELAND HORROR CRITICS GROUP ANNOUNCES THE NOMINEES FOR THE 2026 GOLDEN CLAW AWARDS
    01/30/2026

    UK & IRELAND HORROR CRITICS GROUP ANNOUNCES THE NOMINEES FOR THE 2026 GOLDEN CLAW AWARDS

    NightTide Magazine
  • RETURN TO SILENT HILL (Review)
    01/23/2026

    RETURN TO SILENT HILL (Review)

    Andrew Pope
  • FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER
    01/19/2026

    FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER

    Sharai Bohnnon
  • COMING OUT OF THE CASKET: QUEER THEMES IN ‘THE MUMMY’ (1932)
    01/16/2026

    COMING OUT OF THE CASKET: QUEER THEMES IN ‘THE MUMMY’ (1932)

    Jonathon Greenall
  • DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)
    01/07/2026

    DARK DAYS WITH RAY WALTON NIGHT 17: EARTH VS FLYING SAUCERS (1956)

    Ray Walton
  • THE HORROR EVOLUTION WILL BE COLORIZED: A COMPENDIUM OF PERSPECTIVES ON BLACKNESS IN HORROR CINEMA
    01/06/2026

    THE HORROR EVOLUTION WILL BE COLORIZED: A COMPENDIUM OF PERSPECTIVES ON BLACKNESS IN HORROR CINEMA

    NightTide Magazine
  • HORROR AUTHORS RAISE AND PRAISE THE DEAD
    12/31/2025

    HORROR AUTHORS RAISE AND PRAISE THE DEAD

    Michele Schultz
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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