NightTide Magazine

NightTide Magazine

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Isolation Horror

  • THE SEASONS DON’T CARE ABOUT YOU: WEATHER, ARROGANCE, AND HORROR’S CYCLICAL CRUMBLING
    03/10/2026

    THE SEASONS DON’T CARE ABOUT YOU: WEATHER, ARROGANCE, AND HORROR’S CYCLICAL CRUMBLING

    Mo Moshaty
  • HORROR’S LOWER LEVEL: BEHIND THE CELLAR DOOR
    02/27/2026

    HORROR’S LOWER LEVEL: BEHIND THE CELLAR DOOR

    Mo Moshaty
  • HOME INVASION BY INVITATION
    02/10/2026

    HOME INVASION BY INVITATION

    Mo Moshaty
  • APEX PREDATOR SEEKS LONELY TRAVELER: DANGEROUS ANIMALS (Review)
    06/02/2025

    APEX PREDATOR SEEKS LONELY TRAVELER: DANGEROUS ANIMALS (Review)

    Mo Moshaty
  • LET’S GET WEIRD: SXSW LONDON’S INAUGURAL PROGRAM SETS TRAPS, THRILLS AND KILLS!
    05/31/2025

    LET’S GET WEIRD: SXSW LONDON’S INAUGURAL PROGRAM SETS TRAPS, THRILLS AND KILLS!

    Mo Moshaty
  • SUMMER TIME, SLASHER TIME
    04/25/2025

    SUMMER TIME, SLASHER TIME

    Brian Finnerty
  • MADE YOU LOOK: HORRORS THAT PULLED THE BAIT AND SWITCH – PART 2
    02/26/2025

    MADE YOU LOOK: HORRORS THAT PULLED THE BAIT AND SWITCH – PART 2

    Mo Moshaty
  • WINTER HORROR TAKES OVER: PLAGUE AND DISEASE IN WINTER
    01/02/2025

    WINTER HORROR TAKES OVER: PLAGUE AND DISEASE IN WINTER

    Mo Moshaty
  • CLAUSTROPHOBIA AND MEDIA ISOLATION IN PONTYPOOL
    12/19/2024

    CLAUSTROPHOBIA AND MEDIA ISOLATION IN PONTYPOOL

    Stan Wright
  • TO HAUNT AND TO HOLD: LOOKING BACK AT THE X-FILES’ ‘HOW THE GHOSTS STOLE CHRISTMAS’
    12/15/2024

    TO HAUNT AND TO HOLD: LOOKING BACK AT THE X-FILES’ ‘HOW THE GHOSTS STOLE CHRISTMAS’

    Mo Moshaty

NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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