Oz Perkins’s newest film drags us into the terrifying spiral of a madman hell-bent on coercion and murder and the FBI agent at the center of it all.
by Mo Moshaty
“…and that has led to all of this.” – Longlegs
It’s not often that we see a film that pays homage to elements that have spawned generational adoration. Longlegs’ A story has been positioned in similarity to Silence of the Lambs and the string theory dynamic of the predator/agent connection which Oz Perkins handles it so beautifully.
The introduction to Longlegs hits you over the head with a creep factor that’s off the charts. And you thought In A Violent Nature had great ASMR, well Perkins ups the ante with anxiety-ridden snow crunch.
We’re soon introduced to Lee Harker (Maika Monroe) a meek and closed-off 1990s FBI agent on the case of a serial killer with misogynistic partner Agent Fisk (Dakota Dauby) who asks her to “hang back” as he proceeds to try to play the hero. Lee is sparked by a certain sensation, a call from the universe so to speak, that they’re barking up the wrong tree and she’s right. A shootout occurs and Harker becomes the hero. This sets Lee on the path to chasing the ultimate Svengali, the murderer with clean hands, Longlegs.
Longlegs has a habit of being involved with several murders without being present, or so it seems and the further Harker digs, the more she finds herself, and all the sick and sordid things buried at her expense, sacrifice and sacrament.
Maika Monroe is electric as the unassuming Agent Harker with secrets, ticks and habits that elude to her being merely held together by her powers of deduction, soggy cereal and trauma. An image she shatters with sheer prowess as the film goes on.
Blair Underwood takes a great turn as salty Murtaugh-esque Agent Carter, hoping to utilize Harker to her greatest strengths and unknowingly gets pulled deeper into Longlegs’ danse macabre.
Alicia Witt plays the quintessential hidden mother of Lee. A bible-thumping hoarder and helicopter parent extraordinaire, Ruth Harker is horrifyingly covert and overt in the same breath and her line delivery is chill-inducing.
Longlegs is part circus clown, part homicidal maniac and I cannot imagine anyone playing this as astutely as Nicolas Cage. His calculation and spastic ire is stuff that nightmares are made of. This particular villain is a smooth concoction of many serial killers we’ve seen in our lifetime, built of charm, coercion, and psychopathy. Enough charisma to make their “word” obeyed, enough muscle and threat to spark fear, ensuring compliance and the manipulation of character – giving just enough for you to want more and pulling back enough for you to lean in, and Harker does, and that’s where the wolf strikes.
Harker’s second sight proves all too arcane and her efforts to pull the “why” out of the murders explore the problem of the prodigal daughter, the permeative power of psychological control and cultism, the bruise of family dynamic blown apart by violence and the evil subjugation of those in fear of their lives.
Longlegs is essential viewing for those who love an anxiety spiral, horrific family trauma and a gut-wrenching, mind-melting villain. So far the scariest film of the year!
Written and Directed by: Osgood Perkins
Release: July 12, 2024
NEON

Mo Moshaty is an acclaimed horror writer, lecturer, and producer whose work combines visceral storytelling with the psychological insight of her Cognitive Behavioral Therapy background. She has lectured internationally, including as a keynote speaker at Nightmares from Monkeypaw: A Jordan Peele Symposium (Prairie View A&M), No Return: A Yellowjackets Symposium (Horror Studies BAFSS Sig), The Whole Damn Swarm: Celebrating 30 Years of Candyman (University of California), and with the Centre for the History of the Gothic (University of Sheffield). Mo has also presented at the BFI, Miskatonic Institute of Horror Studies, and Final Girls Berlin Film Festival’s Brain Binge on women’s trauma in horror cinema, Cine-Excess on The Creepy Kid Horror Subgenre and Mother/Daughter Trauma in Horror, and Romancing the Gothic on Cosmic Horror’s Havoc on The Body Electric Her short film, 13 Minutes of Horror: Sci-Fi Horror, won the 2022 Rondo Hatton Classic Horror Award for Best Short Film. As a core producer with Nyx Horror Collective, Mo co-created the 13 Minutes of Horror Film Fest and partnered with Shudder in 2021 and 2022, while also establishing a Stowe Story Labs fellowship supporting women creatives over 40+ in horror. A member of the Black Women in Horror Class of 2023 and featured in 160 Black Women in Horror, Mo’s short fiction appears in A Quaint and Curious Volume of Gothic Tales (Brigid’s Gate Press) and 206 Word Stories (Bag O’ Bones Press). Her debut novella, Love the Sinner, was released July 5, 2024, with Clairviolence: Tales of Tarot and Torment released in October 2025. The first of her five-volume non-fiction series, The Annex of the Obscure: The Afterlife, will be released in 2027 from Tenebrous Press. As the Editor-in-Chief of NightTide Magazine and founder of Mourning Manor Media, Mo champions marginalized voices in horror. Under her leadership, NightTide plans to launch a film festival in 2028, furthering her mission to reshape the genre through inclusivity and representation.






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