By Mo Moshaty
*Contains first act spoilers*

Heart Eyes ⭐️⭐️⭐️⭐️.5
A masked maniac with glowing, red eyes returns every Valentine’s Day to terrorize unsuspecting couples.
Directed by: Josh Ruben
Written by: Phillip Murphy, Christopher Landon, Michael Kennedy
Heart Eyes delivers exactly what slasher fans crave: a relentless killer, a sick mask, and enough carnage to keep the blood flowing. For all the avoidant attachment folks out there, congratulations! Representation has arrived! (Kidding… mostly.)
A brutal opening scene for a newly engaged influencer couple sets the stage for where we’re headed and that’s stalk, slice, burst, kill, leave calling card. Turns out the Valentine’s menace is back…ol’ Heart Eyes, and their ready to get back to slicin’ and dicin’ folks that share a Facebook page…naw I’m just kidding, but hey, maybe. Couples beware – you’re the prey Heart Eyes craves!
We settle on our main character Ally (Olivia Holt), a pitch designer currently under the iron fist of the brand’s owner, Crystal (Michaela Watkins, the sensational Chachi owner in Ruben’s Werewolves Within). Ally’s pitch of celebrating the deaths of famous lover duos during Valentine’s isn’t settling with the recent local killings vibe so she’s got a short turnaround to produce soemthing amazing or she’s out on her ass. Lucky for her, Crystal has sent her a helper from heaven, mastermind marketer Jay Simmons (Mason Gooding). Jay’s sunshine and rainbows approach to love has Ally cringing – oh yeah, she’s a woman scorned, skeptic and scared for anyone to break the boundaries she’s set for herself out of past heartbreak.
A heartbreak she further shatters by keeping up with her exes social media with his new flame. Under the guise of getting down to work, Jay invites Ally to a work dinner. At the nudge of her punchy and much less square bff Monica (Gigi Zumbado), Ally decides to join him, and as the “work dinner” ends, an innocent kiss turns the tables on the evening, and Ally and Jay are now caught in the cross hairs of a killer.
Getting stalked by Heart Eyes, when you’re wired, tired and about to be fired is a freakin’ drag and the night unfolds in glorious, bloody fashion. Heart Eyes embraces classic slasher elements with style and comedy, blending a fresh urban legend with the return of ‘90s teen horror icons Devon Sawa (Det. Zeke Hobbs) and Jordana Brewster (Det. Jeanette Shaw) as the local bad cop/bad cop duo. The extensive red herrings keep the mystery alive (as all the best whodunits do), and while the character development feels a bit front-loaded, it ultimately pays off when the chaos begins.
With its potential for sequels, Heart Eyes could easily become a new horror franchise. Fingers crossed we get to see this legend grow.

Mo Moshaty is an acclaimed horror writer, lecturer, and producer whose work combines visceral storytelling with the psychological insight of her Cognitive Behavioral Therapy background. She has lectured internationally, including as a keynote speaker at Nightmares from Monkeypaw: A Jordan Peele Symposium (Prairie View A&M), No Return: A Yellowjackets Symposium (Horror Studies BAFSS Sig), The Whole Damn Swarm: Celebrating 30 Years of Candyman (University of California), and with the Centre for the History of the Gothic (University of Sheffield). Mo has also presented at the BFI, Miskatonic Institute of Horror Studies, and Final Girls Berlin Film Festival’s Brain Binge on women’s trauma in horror cinema, Cine-Excess on The Creepy Kid Horror Subgenre and Mother/Daughter Trauma in Horror, and Romancing the Gothic on Cosmic Horror’s Havoc on The Body Electric Her short film, 13 Minutes of Horror: Sci-Fi Horror, won the 2022 Rondo Hatton Classic Horror Award for Best Short Film. As a core producer with Nyx Horror Collective, Mo co-created the 13 Minutes of Horror Film Fest and partnered with Shudder in 2021 and 2022, while also establishing a Stowe Story Labs fellowship supporting women creatives over 40+ in horror. A member of the Black Women in Horror Class of 2023 and featured in 160 Black Women in Horror, Mo’s short fiction appears in A Quaint and Curious Volume of Gothic Tales (Brigid’s Gate Press) and 206 Word Stories (Bag O’ Bones Press). Her debut novella, Love the Sinner, was released July 5, 2024, with Clairviolence: Tales of Tarot and Torment released in October 2025. The first of her five-volume non-fiction series, The Annex of the Obscure: The Afterlife, will be released in 2027 from Tenebrous Press. As the Editor-in-Chief of NightTide Magazine and founder of Mourning Manor Media, Mo champions marginalized voices in horror. Under her leadership, NightTide plans to launch a film festival in 2028, furthering her mission to reshape the genre through inclusivity and representation.






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