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NightTide Magazine

NightTide Magazine

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Sinister Screen

  • SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT
    02/02/2026

    SO…NIGHTTIDE IS GROWING, AND I’M REALLY PROUD OF IT

    Mo Moshaty
  • LISTEN TO BLACK WOMEN: THE WUNMI MOSAKU CINEMATIC UNIVERSE OF BEING CORRECT
    02/01/2026

    LISTEN TO BLACK WOMEN: THE WUNMI MOSAKU CINEMATIC UNIVERSE OF BEING CORRECT

    Mo Moshaty
  • THE TOP TEN GENRE SHOWS OF 2025
    01/21/2026

    THE TOP TEN GENRE SHOWS OF 2025

    Sharai Bohannon
  • FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER
    01/19/2026

    FAMILY, SNAKES, AND MOTHER OF FLIES: AN INTERVIEW WITH FILMMAKER TOBY POSER

    Sharai Bohannon
  • GET OFF MY LAWN: THE MOVIE (2025)
    01/18/2026

    GET OFF MY LAWN: THE MOVIE (2025)

    Cullen Wade
  • NO BACKSIES: THE HORROR YOU DIDN’T CHOOSE
    01/15/2026

    NO BACKSIES: THE HORROR YOU DIDN’T CHOOSE

    Mo Moshaty
  • SURVIVAL, WITH COMPANY: WHEN THE MONSTER LEAVES
    01/15/2026

    SURVIVAL, WITH COMPANY: WHEN THE MONSTER LEAVES

    Mo Moshaty
  • LA LLORONA: THE MISUNDERSTOOD WOMAN
    01/14/2026

    LA LLORONA: THE MISUNDERSTOOD WOMAN

    Damian Hex
  • HORDE HAVEN: 28 YEARS LATER: THE BONE TEMPLE (Review)
    01/13/2026

    HORDE HAVEN: 28 YEARS LATER: THE BONE TEMPLE (Review)

    Mo Moshaty
  • DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)
    01/11/2026

    DARK DAYS WITH RAY WALTON NIGHT 21: THREE DAYS OF THE CONDOR (1975)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)
    01/10/2026

    DARK DAYS WITH RAY WALTON NIGHT 20: THE BIG SLEEP (1946)

    Ray Walton
  • DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)
    01/09/2026

    DARK DAYS WITH RAY WALTON NIGHT 19: WHEN WORLDS COLLIDE (1951)

    Ray Walton
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NightTide Magazine is dedicated to elevating voices in the horror genre, as well as to expanding the definitions of what horror means in our world today. While we highlight horror in all its forms, we always strive to advocate for and to shine a light on historically marginalized creatives working within the genre, in as many incarnations as possible. We celebrate Creators of Color, the LGBTQIA+, Disabled and Neurodivergent communities in horror, and those breaking the barriers of ageism in the genre, giving them a platform to emerge from the shadows, visible and seen.

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