
As the author of five bestselling thrillers, Emily Carpenter has earned wide critical acclaim and a devoted readership for her
signature blend of gothic suspense and horror set in the atmospheric South, where she was born and raised. The former actor, producer and screenwriter, who grew up in Alabama and lives in Georgia, has been telling immersive stories all her life, and she’s passionate about exploring resonant and universal themes in her fiction.
What was your first published work?
Technically, the first thing I ever had published was a humorous flash fiction story about a eucalyptus tree in Los Angeles who was accepting an Oscar for playing all these different species of trees in different movies. My first published novel was Burying the Honeysuckle Girls, a Southern Gothic suspense novel.
Is there a story inside that you have seeds of but can’t seem to connect that’s dying to get out?
Always. I have a rotating roster of ideas that continually roll around in my head waiting to be fully incubated.
How do you handle a rejected story?
I write something else. I always have another idea.
What does literary success look like to you?
I think about this question a lot, and I think my answer is it always changes. One day it might be getting a good trade review or hitting a bestseller list. Another day it might be that I was able to get 2,000 words on the page. Sometimes it’s getting a book deal, or it could be getting together with another author who can commiserate with the struggles of being in the publishing industry.
Do you read your book reviews? How do you deal with bad or good ones?
I read trade reviews and if someone tags me on social media, but, no, I don’t seek them out. I don’t go on Amazon or Goodreads to read reviews at all. The truth is I’m a simple girl: I love good reviews and don’t like bad ones. I get my feelings hurt. I know I’m not a flawless writer. I also know my books aren’t for everyone. No one’s books are. So I don’t feel like there’s any net positive in reading bad reviews and it only messes with my confidence.
What is the most difficult part of your artistic process?
The goal is to have the actual book match the vision I had in my head when I first had the idea. That is the eternal struggle.

As in most times, the truth is stranger than fiction, what has been the hardest scene or chapter you’ve had to write, if you were channeling personal experience?
The first chapter is always the hardest to write. For me, anyway. Because I know some of the terrible things that are going to happen to these people, and mostly how it’s going to be a disastrous time for them, but I’ve got to set up this kind of innocuous situation. Also the first chapter has to give the reader all the pertinent information without boring them with backstory, so it’s a challenge.
What inspired your latest work?
An article I read about a small Italian village that was on the verge of becoming a ghost town, offering outsiders massive ancient villas for one euro. I was like, oh, this town is definitely populated by vampires, and they need new blood. Which isn’t exactly the story I wrote, but not far off.
If you could tell your younger writing self anything, what would it be?
Find an agent who loves what you write.
Best advice you’ve ever gotten from a fellow writer?
When a book bombs, don’t worry about it, just go write another one.
What is your go-to comfort horror/Sci-Fi book?
Carrie by Stephen King. I like a girl who blows shit up with her mind.
Emily Carpenter is a bestselling author of suspense novels including Burying the Honeysuckle Girls, The Weight of Lies and Gothictown. Born and raised in Birmingham, Alabama, she graduated from Auburn University and worked in New York City as an actor, producer, screenwriter, and behind-the-scenes assistant for the CBS shows As the World Turns and Guiding Light before returning to her southern roots. She now lives with her family outside Atlanta, Georgia. Visit Emily online at www.EmilyCarpenterAuthor.com
#GothictownBook #EmilyCarpenter

Mo Moshaty is an acclaimed horror writer, lecturer, and producer whose work combines visceral storytelling with the psychological insight of her Cognitive Behavioral Therapy background. She has lectured internationally, including as a keynote speaker at Nightmares from Monkeypaw: A Jordan Peele Symposium (Prairie View A&M), No Return: A Yellowjackets Symposium (Horror Studies BAFSS Sig), The Whole Damn Swarm: Celebrating 30 Years of Candyman (University of California), and with the Centre for the History of the Gothic (University of Sheffield). Mo has also presented at the BFI, Miskatonic Institute of Horror Studies, and Final Girls Berlin Film Festival’s Brain Binge on women’s trauma in horror cinema, Cine-Excess on The Creepy Kid Horror Subgenre and Mother/Daughter Trauma in Horror, and Romancing the Gothic on Cosmic Horror’s Havoc on The Body Electric Her short film, 13 Minutes of Horror: Sci-Fi Horror, won the 2022 Rondo Hatton Classic Horror Award for Best Short Film. As a core producer with Nyx Horror Collective, Mo co-created the 13 Minutes of Horror Film Fest and partnered with Shudder in 2021 and 2022, while also establishing a Stowe Story Labs fellowship supporting women creatives over 40+ in horror. A member of the Black Women in Horror Class of 2023 and featured in 160 Black Women in Horror, Mo’s short fiction appears in A Quaint and Curious Volume of Gothic Tales (Brigid’s Gate Press) and 206 Word Stories (Bag O’ Bones Press). Her debut novella, Love the Sinner, was released July 5, 2024, with Clairviolence: Tales of Tarot and Torment released in October 2025. The first of her five-volume non-fiction series, The Annex of the Obscure: The Afterlife, will be released in 2027 from Tenebrous Press. As the Editor-in-Chief of NightTide Magazine and founder of Mourning Manor Media, Mo champions marginalized voices in horror. Under her leadership, NightTide plans to launch a film festival in 2028, furthering her mission to reshape the genre through inclusivity and representation.






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