The shop must sell 1000 books by the end of April, or face closure.
A bookshop like Afrori Books is not simply a retail space. It is a platform, a cultural archive, and often the only place where Black authors are centered rather than treated as a niche.
As a Black and Brown author, watching spaces like this face closure is deeply distressing. When readers say they want diverse stories but do not actively support the places that champion those writers, the result is exactly this: the disappearance of the very platforms that make those stories visible in the first place.
If we lose bookshops like Afrori, we do not just lose a store. We lose access, discovery, community, and opportunity for countless writers and readers.

PHOTOGRAPHY BY DIENSEN PAMBEN
Afrori Books, an independent bookshop specialising in books by Black authors, is aiming to sell 1,000 books before the end of April to secure its future.
Founded by Carolynn Bain, British Bookseller of the Year 2023 and 2025, Afrori began as an online shop in 2020 in the wake of the Black Lives Matter protests and growing demand for books by Black authors.
In 2021, Bain opened a physical store after a crowdfunding campaign hit its target within four weeks. Since then, it has grown into a nationally recognised cultural space and a platform for Black authors across the UK.
But despite its success, Afrori now faces a critical moment.
The campaign comes as independent businesses face rising costs and a challenging economic climate.
“This isn’t just about Afrori – it’s about habits. Independent businesses cannot survive unless people actively choose them. During the pandemic, people did that. Now we’re asking them to do it again.”
The business has seen a decline in sales over the past six months, particularly online, which accounts for a large proportion of its income.
Bain has deliberately chosen not to return to crowdfunding, instead asking customers to support the shop by buying books.



“I’m asking people to buy books, because I don’t want them to throw money at us and then forget us. Afrori is books on a shelf, but it’s also an opportunity to change the way people think – and to change the world. Books can do that. And Black representation needs to be part of that,” Bain says.
She adds: “Afrori isn’t just a bookshop – it’s a community. It’s the choir that meets here, the Black hair education workshops, the foster carers who visit for a cup of tea, and the people who come in looking for a safe space. All those people who find a sanctuary with us.”
Although based in Brighton, the shop sells books across the UK through its website.
“Afrori is about the whole of the UK,” Bain says. “It’s so important that people can go online and find books where they can see themselves – or a wider world.”
“If we close, thousands of Black authors lose a platform for their books, and the people who would have read those books will never find them.”
Bain also highlights the importance of representation in children’s books.
“All children want to see books that reflect the world around them,” she says. “Without us, where would you find all those books in one place?”
The campaign has attracted support from leading names, including award-winning illustrator Dapo Adeola, best-selling author Kit de Waal, and Selina Brown, named the UK’s first National Reading Hero by Queen Camilla.

Customers have also spoken out: “I can’t stress how important having a space like this is when facilitating spaces for people of the global majority to feel seen, safe, and welcome,” says Indie Foolheea.
Afrori has received several awards, including Brighton Business of the Year in 2024 and 2025, and the Business Excellence Award for British Bookshop of the Year in 2025. It has also been a finalist for British Bookshop of the Year every year since it opened its doors.
People can support the campaign by buying a book, purchasing a gift card, signing up for a subscription box for £16.20 a month, or sharing the campaign on social media.
How to support before 30th April and beyond
Buy a book: https://afroribooks.co.uk/
Purchase a gift card or subscription box
Share the campaign on social media
Website: afroribooks.co.uk
Facebook: @afroribooks
Instagram: @afroribooks
TikTok: @afroribooks

Mo Moshaty is an acclaimed horror writer, lecturer, and producer whose work combines visceral storytelling with the psychological insight of her Cognitive Behavioral Therapy background. She has lectured internationally, including as a keynote speaker at Nightmares from Monkeypaw: A Jordan Peele Symposium (Prairie View A&M), No Return: A Yellowjackets Symposium (Horror Studies BAFSS Sig), The Whole Damn Swarm: Celebrating 30 Years of Candyman (University of California), and with the Centre for the History of the Gothic (University of Sheffield). Mo has also presented at the BFI, Miskatonic Institute of Horror Studies, and Final Girls Berlin Film Festival’s Brain Binge on women’s trauma in horror cinema, Cine-Excess on The Creepy Kid Horror Subgenre and Mother/Daughter Trauma in Horror, and Romancing the Gothic on Cosmic Horror’s Havoc on The Body Electric Her short film, 13 Minutes of Horror: Sci-Fi Horror, won the 2022 Rondo Hatton Classic Horror Award for Best Short Film. As a core producer with Nyx Horror Collective, Mo co-created the 13 Minutes of Horror Film Fest and partnered with Shudder in 2021 and 2022, while also establishing a Stowe Story Labs fellowship supporting women creatives over 40+ in horror. A member of the Black Women in Horror Class of 2023 and featured in 160 Black Women in Horror, Mo’s short fiction appears in A Quaint and Curious Volume of Gothic Tales (Brigid’s Gate Press) and 206 Word Stories (Bag O’ Bones Press). Her debut novella, Love the Sinner, was released July 5, 2024, with Clairviolence: Tales of Tarot and Torment released in October 2025. The first of her five-volume non-fiction series, The Annex of the Obscure: The Afterlife, will be released in 2027 from Tenebrous Press. As the Editor-in-Chief of NightTide Magazine and founder of Mourning Manor Media, Mo champions marginalized voices in horror. Under her leadership, NightTide plans to launch a film festival in 2028, furthering her mission to reshape the genre through inclusivity and representation.





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